Suspicion,
like Hitchcock's Rear Window, is unique in that it is told mainly
from one character's point of view. Lina's (Joan Fontaine in an
Academy Award winning performance) reality/imagination becomes
our focus and clouds/distorts everything we see. Lina is a spinster
like woman who is swept of her feet by the dashing Johnnie (Cary
Grant). They soon elope and once they come back from their honeymoon
she finds that Johnnie is actually broke. She was suspicious of
him on their first couple of meetings and the fact that she comes
from a wealthy family raises her suspicions even more when this
new revelation comes to light. Lina is truly in love with the
Johnnie and the freedom he has brought to her life, but as different
events occur she starts to believe that Johnnie may be trying
to kill her. The way that Hitchcock films everything we as an
audience are sucked into this very possibility. (I won't give
away anymore)
One
last note: Keep an eye out for the milk sequence towards the end
of the film. (Trust me when I say you won't be able to take your
eyes off of the milk) This is a classic Hitchcock bit that is
often sited as a perfect example of his great visual style and
inventiveness.
(January
2007)
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