It
is a great thing when something comes around and completely shakes
up corporate television. HBO has been producing original television
series' for quite a while, but The Sopranos is the first to really
grab the general public's attention. It has it all with its combination
of great story, music, and direction, but most importantly a great
cast and a great set of characters.
The
Sopranos has to easily be the most praised television show in
the last 20 years. Having just sat down and gone through every
episode in season one for a second time every accolade it has
received is well deserved. In the commentary on the pilot and
in an interview on the DVD, creator David Chase, talks about how
he hoped that he was creating something that could easily stand
in the shadows of The Godfather and Goodfellas. He surpasses that
goal and creates a mob series that stands beside these two classics.
As most people know, The Godfather is considered the opera version
of the mob, with big characters, music, story and emotions. Goodfellas
brought it down to the streets in a way that only Martin Scorsese
could do. It was about the day to day "grind" for the
lower level wiseguys and how they did and did not survive. It
reinvented what was possible. The Sopranos takes that next step,
and brings the day to day family life into the equation. The other
significant addition is that the main character, Tony Soprano,
is depressed and decides to start talking to a psychiatrist (Loraine
Bracco). Talking to a psychiatrist is a "no, no" in
that world, but it really allows us to get deep into Tony's head
and all of the problems he has to deal with from both the business
and the family. At the top of this list is Tony's mother, Livia.
At the end of the 13 episodes if you are not convinced that this
is one of the greatest performances ever (film or TV), you may
not have watched the same TV show I did. The subtley of her performance
is remarkable. Alfred Hitchcock is rolling over in his grave due
to the jealousy he is feeling from this maternal character.
Each episode has it merits, but my favorites are:
Episode
One - The Sopranos:
The opening 30 minutes completely reinvents the mob movie. Among
the highlights of this episode are Tony's wife, Carmelia (Edie
Falco) telling Tony that the difference between her and him is
that he is going to hell and Carmellia grabbing the AK47 when
she thinks some one is breaking into her home only to find that
it is her daughter trying to sneak into the house. This is not
your typical family.
Episode
Two - 46 Long:
This episode is unique in that it has a pre-credit opening sequence
dealing with the "decline" of the mob. More details
of Tony's life are revealed and most importantly we discover that
Tony cannot recall one loving moment anytime in his life where
his mom was involved. We learn more about Livia over the next
few episodes and we understand why.
Episode
Five - College:
David Chase says that this is his favorite episode and watching
it you will see why. This episode is the perfect combination of
the mob life vs family. Tony is touring college campuses with
his daughter Meadow (Jamie-Lynn Sigler). When he thinks he spots
an old mob capo who had ratted out a bunch of his friends, he
has to walk a very fine line between his daughter and revenge.
My favorite scene in this episode is where Meadow confronts Tony
about whether or not he is in the mob.
Episode
Thirteen - I Dream of Jeannie Cusamano
Tony nearly assaults Dr. Melfi when she suggests that Livia may
be behind the recent events in Tony's life. Livia doesn't stop
after attempt number one. Tony has one of the great lines in recent
history, "Cunilingous and psychiatry brought us to this point."
This episode has a great ending when the family gets stuck in
the rain and stops of at Artie Bucco's (John Ventimigilia) restaurant
for dinner. Tony's toast to remembering the good family times
is extremely poignant.
Video quality on these discs is a little disappointing. At times
the picture is very grainy with a lot of extra noise. Everything
is a little soft and occasionally the digital artifacts rear their
ugly head, and Episode 9's (Boca) quality is pathetic. I expect
a lot more from HBO video. Sound quality is solid.
Extras
include a commentary with series creator David Chase and Peter
Bogdanovich. The commentary was quite informative. I like commentaries
with more than one person as it adds a little to liveliness of
the recollections. It also helps when you have an outsider who
can bring up issues the director/creator may not have considered.
A lengthy interview, again with Chase and Bogdanovich is also
included. It covers some of the same material as the commentary,
but is able to go into quite a few other issues. The package is
rounded out with a couple of featurettes. |